Color

Color traces the residues of lost time. Through its atmospheric presence, it draws the viewer into a passage toward the past, rendering perceptible the profound entanglement between memory and objects. It explores the ways in which objects reverberate within memory, and how a space, once internalized, can unfold into hidden corridors of the mind. 

Drawing from Tarkovsky’s Polaroids, the work approaches color not as a merely aesthetic device, but as a mutable carrier of memory—one that both preserves and transforms. In this sense, color exceeds the image, giving rise to an atmospheric field in which the fading strata of time become sensorially accessible once again.